Flight Path Dance Project is a tuition-free training program

and repertory dance company

for 14 to 18-year-old dancers

in New York City.

PROGRAM

At its core, Flight Path Dance Project is a repertory company.

In addition to 10 hours of weekly repertory rehearsal and technical training at Gibney Dance 280, Flight Path dancers engage in professional development workshops and receive a monthly book to support learning beyond the studio and prepare for the whole of a career in the performing arts. Past workshops have included business skills with Fran Kirmser, injury prevention and management with NYU Langone Harkness Center for Dance Injuries, financial literacy with Park Piedmont Advisors, meditation with Inscape and Fit for Broadway, a panel of professionals with Desmond Richardson, Preeti Vasudevan, and Karen Ziemba, and more. Past books have included Dancing Revelations by Thomas F. DeFrantz, Functional Awareness by Allegra & Nancy Romita, The Creative Habit by Twyla Tharp, Life in Motion by Misty Copeland, and more.

As a repertory company, Flight Path dancers rehearse and perform diverse choreography from established and emerging choreographers, and train in ballet and contemporary technique. Past choreographers and masterclass teachers include Stephanie Martinez, Yusha-Marie Sorzano, Michael Trusnovec, Juel D. Lane, Dylis Croman, Ching Ching Wong, Paige Fraser, and more.

Auditions occur in May of each year. Interested dancers are welcome to reach out at any time by emailing sean@flightpathdanceproject.com

 

STAFF

Michael McGowan

Founder & Artistic Director

Michael McGowan began his dance training at his mother’s dance studio in Clarksburg, WV. He continued his studies in various training programs at West Virginia University, National Academy of the Arts and North Carolina School of the Arts. He is a proud graduate of the Harid Conservatory of Dance in Boca Raton, FL where he studied with Tina Santos, Marjorie and Maria Tallchief, Helgi Tomasson, David Howard and Patricia Wilde, among others. Michael was a member of Hubbard Street Dance Chicago under the artistic direction of Lou Conte. With HSDC he toured the world performing the works of Twyla Tharp, Bob Fosse, Daniel Ezralow and Margo Sappington, among others. He was a guest artist of River North Dance Chicago under the artistic direction of Sherry Zunker, and appeared in a documentary about the company titled Reality of a Dreamer. He was also featured in Love in Four Acts for WTTW Chicago choreographed by the late Claire Battaille. Michael is forever grateful to Claire, Lou and Sherry for inspiring him to continue the legacy of artistic mentorship. Michael was the founder and Artistic Director of Kitchen Sink Dance Company and its satellite pre-professional ensemble. He continued his teaching and choreography at the Spence School in NYC, where he was the Chair of the Performing Arts Department and director of the dance program for fourteen years. Michael was awarded a choreographic residency with the Ucross Foundation in Wyoming. His work there ultimately led to the development of Flight Path Dance Project. Michael lives in NYC with his husband Steven Lutvak, who composed the music and co-authored the lyrics for the Tony Award-winning Best Musical A Gentleman’s Guide to Love and Murder, and their daughter Eliot Rose.

Sean McCabe

Program Manager

Sean McCabe is a writer, musician, and educator originally from Ottawa, Canada. Sean holds a Master of Fine Arts degree from New York University’s Graduate Musical Theatre Writing Program (2018) as well as a Bachelor of Education and a Bachelor of Arts from Queen’s University in Canada. His work has been presented at Lincoln Center, New York Theatre Barn, The Duplex, and elsewhere. His musical Saint Sebastian, with music by Jinhee Kim, was a semifinalist for the O'Neill National Music Theater Conference in 2020 and was produced by the NYU Tisch New Musical Theatre Workshop. Most recently, Sean was named a finalist for the Audible Podcast Development Program (pending), and will be in residence at the Catwalk Art Institute.

Maruti Evans

Scenic Designer

Maruti Evans is a New York–based set and lighting designer. He has received the Drama Desk Sam Norkin Award 2013 for the designs of Tiny Dynamite and Pilo Family Circus, and Drama Desk nominations for Deliverance, In the Heat of the Night, Slaughterhouse 5, and Blindness. He is also the winner of an Audelco award for the First Irish Theatre Festival, and has received two additional Audelco nominations for Relativ­ity with the Ensemble Studio Theatre and Noon Day Sun with Diverse City Theater Company. His work includes Real Enemies, Epiphany, Else Where, and 21c Leiderabend (Brooklyn Academy of Music); Witness Uganda, Alice vs, Wonderland, and Mouth Wide Open (American Repertory Theater); Big Apple Circus (2016 and 2015); Cool Hand Luke, Deliverance, and Café Society Swing (59e59); Much Ado About Nothing (American Repertory Theater and McCarter Theatre); Master and Margarita (Summer Scape); An Oresteia (Classic Stage Company); Crowns (Goodman Theatre); Ballad of Emmett Till and Owl Answers and the Dutchman (Penumbra Theatre); Le nozze di Figaro, L’Ofero, and Turn of the Screw (Stony Brook Opera); and Sweeney Todd (Virginia Opera Company).

 

BOARD OF DIRECTORS

Janice Sands

President

LeeAna Wolfman

Vice-President

Sylvie Scowcroft

Treasurer

Ginger Norman

Secretary

Annabel Edelson
Steven Lutvak
Charles (Wally) Munro
Kenneth Roberson
Amanda Ryzowy
Emily Shaffer

ADVISORY COUNCIL

Laura Benanti

Linda Cho

Randy Graff

Vicki Warner

 

ANTI-RACISM

Flight Path Dance Project is committed to anti-racism. We are engaging in a process of prioritizing anti-racism work in order to build a more equitable organization. We stand with the Black Lives Matter movement to acknowledge and dismantle systemic racism in all its forms.

The work that we do around anti-racism is and will be reflected across all aspects of the program, from Board development to repertory selection to the guest artists and professionals we employ, in order to better represent the diverse experiences of the young dancers we are training and our community at large.

Dance is a transformative change agent, and it is our responsibility as dancers, dance makers, and arts administrators to use that power for progress. We are committed to creating repertory that allows our dancers to express the full range of self, challenge the traditions of concert dance, and expand the minds of our audience.